the shakespeare code cast

In the first shot, she's stroking his hair behind his ear, in the next shot, she is touching his sideburn, and her fingers shift to behind his ear again in the following shot. They enter the TARDIS, slamming the door just as an arrow embeds itself in the TARDIS' exterior before dematerialisation. Volgens de BARB cijfers deze aflevering werd gezien door 7.230.000 kijkers en was de vijfde meest populaire uitgezonden op de Britse televisie in die week. Wiggins is named after Doctor Martin Wiggins, a distinguished academic in the field of Elizabethan and Jacobean literature and the editor of several editions of influential plays of this period. The Tenth Doctor takes her to 1599 England. The Shakespeare Code: | | | 180 – "The Shakespeare Code" | | | ... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the … Murray Gold Doctor: Charles Palmer Shakespeare's Sonnet 57 is one of those believed to be written to a man, and contains lines referring to time, "I have no precious time at all to spend,/ Nor services to do, till you require./ Nor dare I chide the world-without-end hour/ Whilst I, my sovereign, watch the clock for you.". The planet Rexel 4 is named in an episode of The Tomorrow People from 1974. ← Previous The carrionites attack and make their plans known to The Doctor. Confidential: Cracking The Shakespeare Code. Aired on April 7, 2007. Her name is not even said by Bloodtide, Doomfinger or Lilith herself. Lilith shows her true face, scaring Dolly with a snarl. There is indeed a novelisation of Back to the Future, written by George Gipe. It fades away, making them decide to keep it a secret. More behind the scenes stuff When Lynley, the Master of the Revels, demands to see the script before allowing the play to proceed, Lilith plunges a voodoo doll made of his hair into a bucket of water and stabs it in the chest. Roberts has said, "I always thought it was a nice word, and I was thinking of the witches as carrion creatures, so I bunged a C in front of it". Yes the film!'. The interior of the witches' house was almost immediately reused as Sarah Jane's attic at 13 Bannerman Road, where its expense was amortised over the five-year run of The Sarah Jane Adventures. He started writing some Virgin New Adventures, a series of Doctor Who novels, with The Highest Science (1993). "I must be on 10% now," the Doctor thinks. The Shakespeare Code puts forth the idea that the plays attributed to William Shakespeare were actually written as political messages by Francis Bacon and relate a biographical history of the man. The Doctor and Martha reach All Hallows Street, with Martha questioning how this could cause a problem, as she's living proof that the world didn't end this year. The Doctor finds the three "witches" trapped, screaming in their own crystal ball. . Format: 7 April 2007 The Tenth Doctor takes her to 1599 England. The episode was first broadcast at 7pm on 7 April 2007. These references include some metatheatrical humour, since David Tennant played the villain Barty Crouch, Jr in the film adaptation of Harry Potter and the Goblet of Fire. In SFX magazine #152, producer Phil Collinson called this episode the "most expensive ever", because of the large amounts of CGI and filming in Warwick, Coventry and London. [13] Digital Spy's Dek Hogan found the plot "ludicrous" but praised the production values and special effects. She flies to the Globe, leaving the Doctor and Martha behind. However, without seeming to notice Martha's reaction, he attributes this to Martha being a novice to time travel. Producer Russell T Davies and screenwriter Gareth Roberts have both stated that they were aware of these past references to meeting Shakespeare, but that they would neither be mentioned nor contradicted in the episode. Martha is less than impressed with the room, complaining she doesn't even have a toothbrush. The Doctor explains how history could be changed with devastating results by referring to the movie Back to the Future. Martha defends herself by saying that in Freedonia, women can have any profession they want. Viola’s nurse (Imelda Staunton) accepts a note from Shakespeare for Kent telling him that he has been cast. The story plays on the speculation around Shakespeare's. Martha, mimicking the Doctor's actions at Bedlam, tries to neutralise her by speaking the name Carrionite, but Lilith mocks her, since naming only works once. "The Shakespeare Code" is the second episode of the third series of the revived British science fiction television series Doctor Who. The Doctor thinks he's heard of something before that involves the number 14, but can't seem to remember it. The Bard is seen by the Doctor and his companions on the screen of their Time-Space Visualiser in The Chase (1965), conversing with Elizabeth I; in Planet of Evil (1975), the Fourth Doctor mentions having met Shakespeare, and in City of Death (1979) he claims that he helped transcribe the original manuscript of Hamlet; and in The Mark of the Rani (1985) the Sixth Doctor says "I must see him [Shakespeare] again some time". Shakespeare tells him that the play will be given to him tomorrow morning; however, Lynley arrogantly declares that the Master of Revels does not work to an author's schedule. However, Bloodtide and Doomfinger are there waiting, using their voodoo doll to knock Will out by tapping its head. She confirms the Doctor's suspicions: the three Carrionites hope to gain entry for the rest of their species, eliminate the humans, begin a new empire on Earth and spread out from there. Shakespeare then speaks, "To be or not to be", from his future play when explaining what he felt then, but wonders if the line is a bit pretentious; the Doctor is indifferent about it. 3.2 David Tennant, unusual amongst other Doctors, began and ended on special episodes, not regular ones. In fact, For the purposes of this list, "Series 4" is considered to be the. Follow code-breaker Petter Amundsen and historian Dr. Robert Crumpton as they investigate the secrets buried in Shakespeare's first folio and decipher a coded map that may lead to … Behind the scenes video At one point, the Doctor uses the title "Sir Doctor of TARDIS," which had been awarded to him by Queen Victoria in "Tooth and Claw" (2006). 180 When Lilith is attempting to charm the Doctor, she strokes his face. Seeing how much he desires her, Lilith allows him entrance to her home. 1x45 minute Episode Lilith plunges the doll into a bucket of water. It was rewritten as the producers and Tennant thought it would be inappropriate. Lilith notes the Doctor was at the inn with Shakespeare and smells of something new. The Doctor points out that he's not even human and she should just walk around like "[she] own[s] the place", just as he does. Lilith compels Shakespeare to write a strange concluding paragraph to Love's Labour's Won before flying away on a broom. He decides to find out more about why it was never published. According to Roberts, "if anyone was gonna trip me after transmission it'd be him, so I thought I'd butter him up first".[5]. Gridlock. Tenth Doctor Lilith credits the Carrionites' escape from the Eternals' banishment to 'new...glittering' words. In an early scene a sign is glimpsed for an inn named "The Elephant". When Will is about to announce when the play will be performed, she takes control of his mind with a puppet; Will declares that it will be tomorrow night. There are numerous other allusions to Shakespeare's plays. There has been a raging controversy as to whether or not he wrote the Shakespearean works himself. In the witches' home, a wheezing Doomfinger rejoins Bloodtide and Lilith; she tells them that the Doctor knows of their true nature - he spoke their true name. "Good thing I'm here," the Doctor quips. They decide to visit the architect of the theatre in Bethlem Hospital. At the end of the play, William Shakespeare announces a forthcoming sequel entitled Love's Labour's Won. Similar programmes. In 16th century London, a nymph, Lilith, is serenaded from her balcony by a lute-playing swain, Wiggins. However, his attention shifts to Martha, whom he tries wooing, describing her as "a queen of Afric" or a "blackamoor lady", which she finds slightly offensive. Shakespeare follows after him after giving his actors the final draft of his play. The Doctor is left bewildered by Will's sudden behaviour. Release details The Doctor deduces both their location and the year: near the Globe Theatre in 1599. He tells them the Queen may come, before muttering "As if.". This is one of few occasions where the Doctor didn't appear to use the sonic screwdriver in the episode. Once at Bedlam, Martha and the Doctor are disgusted to learn that the patients are whipped to entertain the gentry. There is a definite resemblance, & Adams’ work probably did influence Garth Roberts, but IMHO it the parallels aren't clear or straightforward enough to be in the main TSC article. Martha scorns this explanation by saying 'The film?' Frowning, the Doctor moans in disappointment. When questioned as to the whereabouts of Peter Streete, Shakespeare says that he was admitted to Bedlam. • With thanks to the BBC National Orchestra of Wales. The Carrionites' contribution to Love's Labour's Won includes a reference to "Dravidian shores"; a "Dravidians starship" is mentioned in The Brain of Morbius (1976). Production code: She approaches seductively, which the Doctor says definitely won't work on him, and then quickly cuts a lock of his hair. It was then re-released as part of the Series Three boxset in November 2007. For Martha's first trip in the Tardis, the Doctor takes her back in time, to Elizabethan England. It also introduced the narrative lynchpin of Queen Elizabeth I having a severe distrust towards the Tenth Doctor. Martha awakens, thinking the Doctor is dead as well, but finds he's still alive — two hearts. This visit causes Lilith to sense something is amiss; she and her mothers look into their cauldron and find the Doctor at the mad house with Shakespeare. Production started at the production team's Upper Boat Studios in Trefforest for the scenes in the Crooked House. In another Big Finish drama, The Time of the Daleks, a child is revealed to be Shakespeare at the story's end. Both hearts stopped in the previous episode. He tells for the Doctor not to ask him where he gets his ideas, but upon seeing Martha enter, he stops dead and then suddenly changes his tune, welcoming the two travellers into the room. The three Carrionites allude to the Weird Sisters from Macbeth (which was written several years after the setting of this episode); like them, the Carrionites use trochaic tetrameter and rhyming couplets to cast spells. The Doctor decides that is their next stop. Fearing that they would be revealed if the Doctor can get Peter to talk, Lilith has Doomfinger transport herself. He speculated that he might like it better when watching it again later after he has warmed up to Martha. He then asks the Doctor how he can have eyes so old for someone young. They are led into Streete's cell, where the Doctor finds he is suffering from catatonia. As they leave the theatre, Martha asks why she has never heard of Love's Labour's Won. Much to the horror of the audience, Carrionites emerge and swarm outside; laughing wickedly at their terror, Lilith locks the audience in. Suddenly, Mother Doomfinger appears in the cell and kills Peter with a touch to the heart. As a reward for her help in the last episode, Martha Jones gets a trip in the TARDIS. The Doctor gives Will a neck brace for his pain, telling him to keep it as it looks good on him. His actors think Will's being a critic about his own work. Companion(s): WILLIAM SHAKESPEARE'S magnitude and influence is unquestionable. Queen Elizabeth enters, much to the Doctor's amusement. It included the first televised appearance of William Shakespeare since a cameo in 1965's The Chase. He points out there are things similar to the future: recycling, water cooler moments and people thinking the Earth will burn in flames - aka global warming. The Doctor, Martha and Shakespeare hear a commotion in the street and run out, where Lynley vomits water. The Shakespeare Code. She then questions whether it is safe to walk around in the past, citing familiar time travel paradoxes such as the grandfather paradox and the so-called "butterfly effect". Series 3, Episode 2 A character list in the beginning of the program declares a number of stacks, naturally with names like "Romeo" and "Juliet". Or else they risk getting committed to Bedlam. Filming for the episode took place from 23 August to 15 September 2006. They find the architect, Peter Streete, in a catatonic state. " The Shakespeare Code" is de tweede aflevering van de derde reeks van de nieuw leven ingeblazen Britse science fiction tv-serie Doctor Who. Under threat of annihilation from a species from the Dark Times, the TARDIS team have to establish whether there is a connection between a witch they've met and Shakespeare's Love's Labour's Won— a pl… The Doctor tells him to stop rubbing it or he'll go bald. Shakespeare's head still hurts, so the Doctor hands him the stereotypical Shakespeare collar to use as a neck brace. Martha is surprised by this, asking Will about the name; obviously, Will is going to base Hamlet on his son. Martha yells to be let out but is told by the Doctor that it's pointless as the entire building is yelling that. The Doctor goes on about how much he admires Shakespeare's genius. The character Kempe is William Kempe, a highly regarded comic actor of the era, who was a member of the Lord Chamberlain's Men along with Shakespeare and Richard Burbage. in her honour, but is interrupted when two of his actors burst in. [11][12], Apart from Newport Indoor Market, where the scenes at Bedlam, as the Bethlem Royal Hospital was known as then, were recreated in the basement, the remainder of the shoot took place in Upper Boat Studios, for the scenes set in the Elephant Inn, sections of Globe Theatre material, and the TARDIS scenes.[8]. a shot of one of the wooden beams has 'Bay J' printed on it. [3][4] Roberts added that although early draft of "The Shakespeare Code" contained "a sly reference to City of Death", it was removed because "it was so sly it would have been a bit confusing for fans that recognised it and baffled the bejesus out of everyone else. Advertisement. Scott Matthewman of The Stage gave "The Shakespeare Code" a mostly positive review, highlighting the guest performances and the theme of the power of words. Dolly informs the Doctor and Martha that she's prepared a room for them. Amused, Bloodtide tells her sister that no-one that can stop them now; humanity will doom itself. Writer: ", "Doctor Who "The Shakespeare Code" Review", https://en.wikipedia.org/w/index.php?title=The_Shakespeare_Code&oldid=999587836, Cultural depictions of William Shakespeare, Articles with dead external links from June 2018, Articles with permanently dead external links, Articles with dead external links from March 2018, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 10 January 2021, at 23:29. Martha Jones steps outside and is amazed by the fact they've gone back in time. Shakespeare explains the architect thought it allowed the sound to carry well. The Doctor whispers that they've still got "one foot in the Dark Ages", and any seemingly unnatural answer would lead them to think that it was witchcraft. The Doctor wonders which house they need to go to, finding a door opening itself; "Make that witch house.". Martha asks about the play, and the Doctor confirms that when Will undid the magic of Love's Labour's Won , he banished every copy into the aether, or the Void, or the Untempered Schism, or the Time Vortex, or wherever the heck the Eternals trapped the Carrionites. Instead, she names Martha Jones, rendering her unconscious, muttering that she was unable to harm her more, as she must be out of her own time. The Shakespeare Code has accepted the latter. British Shakespearean scholar Robert Crumpton embarks on a mission to prove he is spectacularly wrong. Martha assumes that this explains why Love's Labour's Won was never shown and is quite disappointed by the lack of mystery. The Queen declares, "Off with his head!". When regressing the architect in Bedlam, The Doctor uses the phrase "A Winter's Tale", whilst the architect himself uses the phrase "poor Tom" in the same way as the 'mad' Edgar in King Lear. At that moment, Lynley, Master of the Revels, barges in, demanding to see Shakespeare's script before he allows the play to proceed. The actors speak the last lines of the play. Sometimes reality exceeds fiction. Report Broken Documentary. The Doctor claims Martha comes from Freedonia, a fictional country in the Marx Brothers film Duck Soup - it was also used as the name of a planet in the Doctor Who novel Warmonger (2002) by Terrance Dicks. Music: The witches turn out to be Carrionites, but they haven't reckoned with the difficulty of taking on the Doctor and arguably the world's greatest ever wordsmith. He then begins rambling about the facts: humanoid females that channel energy into power through words. The scene in which the Doctor and Martha share a room was originally written to have the Doctor casually undress down to his underwear; and still obliviously invite Martha to share the bed. Southwark, 1599 Shakespeare then remembers Peter Streete spoke of witches; he was the architect for the Globe Theatre. The Shakespeare Programming Language (SPL) is an esoteric programming language designed by Jon Åslund and Karl Hasselström. By genre: This article is an index of characters appearing in the plays of William Shakespeare whose names begin with the letters A to K. Characters with names beginning with the letters L to Z may be found here.. He is then forced to run by Martha to keep himself alive. The Doctor identifies the witches as Carrionites, a species whose magic is based on the power of words which allows them to manipulate psychic energy. Premiere network: She then asks if magic really exists, to which he states it doesn't — this looks like magic but isn't. The Doctor gives her one from one of his pockets, explaining it contains Venusian spearmint. She senses a name that could hurt him and tries to weaken him by naming "Rose", but he assures her that that name keeps him fighting and demands to know how the Carrionites came to be on Earth. The actors ask Will why he announced the play for tomorrow instead of next week as they planned. The Doctor previously felt emotional at the mention of his lost companion, The arrow that is shot into the TARDIS mimics similar occurrences in, Queen Elizabeth's anger at the Doctor is given a possible cause in, The Doctor also mentioned meeting Queen Elizabeth in, The Doctor claims that Martha is a citizen of the nation of "Freedonia". Meanwhile, the TARDIS lands in the same time period sometime later. (DWMSE 23). Insulted, Lynley declares that this slight means he will ensure the play will never be performed, even if it's the last thing he does; he will return to his office for a banning order. Shakespeare defends it, saying that fear of the place helped "set him right". The Doctor calmly announces to the crowd that Lynley has died a natural death, of a sudden imbalance of the humours. See all galleries from The Shakespeare Code (4) Related Content. Like the Chef programming language, it is designed to make programs appear to be something other than programs - in this case, Shakespearean plays. Lilith's name is only said once throughout the whole episode. Producer: There, he wonders why the theatre is tetradecagal. In the morning the Doctor, Martha and Shakespeare are confused by what has happened. Martha Shakespeare explains he still has to finish writing the end of the play and bids the Doctor goodnight, saying he will solve why the constant performance from him tomorrow. Martha attempts CPR but is shocked to find Lynley's lungs full of water. A witch called Lilith uses a voodoo doll to influence Shakespeare to declare that the new play will premiere the following evening. BBC One Norwegian researcher Petter Amundsen claims to have deciphered a secret code hidden in legendary playwright William Shakespeare's works that reveals a map leading to the location of certain treasures. By uttering the name Carrionite the Doctor is able to repel her. Follow code-breaker Petter Amundsen and historian Dr. Robert Crumpton as they investigate the secrets buried in William Shakespeare 's first folio and decipher a coded map that may lead to one of history's greatest treasures. [14] Nick Setchfield, writing for SFX, awarded the episode five out of five stars, finding the production "confident". He praised the acting, "witty" script, the concept of the Carrionites' witch-like appearance. Smith and Jones The episode makes reference to the many debates about Shakespeare's sexuality. Among the facts that the Doctor lists are that it's not really a globe, but a tetra-decagon; it's also brand new and recently opened for the plays written by the great writer himself. In The Shakespeare Code, the Carrionites subvert Shakespeare to plant their ‘spell’ in the climax of Love’s Labours Won, recitation of which will free their people from the Eternals banishment. Wanting to see the author himself, Martha starts what the Doctor thinks might be the first crowd chant for Shakespeare. This is the name of an inn recommended in Twelfth Night. She tells her mothers to go the Globe and wait for her; Lilith will be waiting for the Doctor to find their home so she can kill him to put an end to his threat to their plans. Through the window, Martha sees Lilith flying away on a broomstick. Martha, Shakespeare and the actors are left to take the applause of the audience who think it was special effects. ‘Gyves’ = ‘constraints’. It was seen by 7.2 million viewers, and was the fourteenth most watched programme of the week. The Carrionites were a species of humanoids which used word-based science or "witchcraft" to reshape reality. Upon hearing another scream, the Doctor and Martha run in to find Dolly's body as Shakespeare wakes; the Doctor notes that Dolly's heart gave out from a powerful fright. When they find William Shakespeare with a lost play,… He asks for a constable to take Lynley's corpse; Lilith offers to fetch one, walking off with a hidden grin on her face. Shakespeare is being bewitched by three witch-like Carrionites to rewrite the ending to his play Love's Labour's Won so that the performance will create the right words to free the rest of the Carrionite race from imprisonment. Gareth Roberts It is only said in the beginning when the young man tells Lilith that her house is foul. That night Shakespeare sneaks into a party celebrating Viola’s engagement to Lord Wessex ( Colin Firth ), but when Wessex notes the obvious attraction between Shakespeare and Viola, he threatens Shakespeare, who gives his name as Christopher Marlowe and flees the party. But his life is shrouded in mystery. How they managed to get back is quickly figured out by Martha and the Doctor; when Shakespeare was grieving for his son, he wrote something in a play that allowed them access to Earth. It is also included in the Series 3 DVD box set. (A remake of “Shakespeare: The Hidden Truth,” including new discoveries.) Meanwhile, Lilith entrances Shakespeare and, using a marionette, compels him to write a strange concluding paragraph to Love's Labour's Won. This is part of the reconstructed Globe and wouldn't have been present in the original. There is a running joke throughout the episode in which the Doctor creates an apparent ontological paradox by inspiring Shakespeare to borrow phrases that the Doctor quotes from his plays. The Doctor explains the Carrionites produce their "magic" through an ancient science based on the power of words. However, it seems they have met before in her past; he is deemed her "sworn enemy". This leads the Doctor to investigate the Globe next. He again demands the play, but Shakespeare insists it's not ready yet. The special effects on the episode were done by The Mill, who have created the special effects on all Doctor Who episodes since its return in 2005. Scenes set in the Globe Theatre were then partially filmed in the recreated Globe Theatre in London. On the Doctor's order, Streete reveals that witches spoke to him and made him design the Globe to their design, not his own; once he had served his usefulness, they snapped his wits to keep him quiet about their plans. The Doctor and Martha make numerous references to Shakespeare's appearance: she notes that he looks nothing like his portrait, and wonders why he is not bald, while the Doctor says he could make his head bald if he rubs it and later gives him a ruff to keep (calling it "a neck brace"). Watching from above is Lilith, dressed as royalty. Shakespeare flirts with Martha multiple times during the episode, and ultimately composes Sonnet 18 for her, calling her his "Dark Lady". As the production ends and the cast take their bows, Martha’s cries to see the author are taken up by the excited crowd, encouraging the dashing and handsome Shakespeare to make an appearance. She also suggests that stepping on a butterfly might change the future of the human race, an idea that originates in Ray Bradbury's 1952 short story A Sound of Thunder. Examples of this include the Doctor telling Shakespeare that "all the world's a stage" (from As You Like It) and "the play's the thing" (from Hamlet), as well as the name Sycorax from The Tempest. At the Globe, Love's Labour's Lost is on. In the room is Lilith, disguised as a maid. But his life is shrouded in mystery. Another memorable moment Martha mentions the possibility of killing her grandfather, an allusion to the grandfather paradox, when she first steps from the TARDIS. One shot of the Doctor and Martha looking at the Globe Theatre was changed between the Series Three preview at the end of "The Runaway Bride" and the final episode; the edge of the Globe Theatre has been replaced with a CGI shot of a village and the distant theatre itself. They run through the streets back to the TARDIS as the guards run after them. The Shakespeare Code by Virginia M. Fellows, recently deciphered codes within the works of Shakespeare reveal the true story of Francis Bacon as the rightful heir of Queen Elizabeth I of England. The Doctor confronts Lilith, who explains that the three witches were released from their banishment by Shakespeare's genius words after he lost his son Hamnet. The Shakespeare Code Lilith cackles and states that at the hour of spoken words, they will be freed and the Earth will perish. They walk around the town and the Doctor says Elizabethan England is far more like the 21st century than Martha might think. Doomfinger and Bloodtide are joined by Lilith, who tells them of her supposed success. The ending featuring Queen Elizabeth was Russell T Davies's idea, who told Roberts to "make it a bit like the ending of The One Doctor", a Big Finish Productions audio drama also written by Roberts.[5]. They apologise to the crowd, resuming the play. Shakespeare is credited with adding two to three thousand words to the English language, including 'assassination', 'eyeball', 'leapfrog' and 'gloomy'. Martha tells the Doctor how much she loved the play (it was worth putting up with the horrible smell of the crowd) before pointing out that the male actors are dressed as women. However, upon entering the home, he is shocked to find it full of horrifying witching artefacts — not what he would expect a beautiful girl to have in her home. Lilith kisses Wiggins, but on pulling away, he finds her transformed into a wrinkled hag. By the time of production, however, the title had been changed to "Theatre of Doom", according to David Tennant's video diary shot during production and included as a bonus feature of the Series 3 DVD set. Norwegian researcher Petter Amundsen claims to have deciphered a secret code hidden in legendary playwright William Shakespeare's works that reveals a map leading to the location of certain treasures. Under threat of annihilation from a species from the Dark Times, the TARDIS team have to establish whether there is a connection between a witch they've met and Shakespeare's Love's Labour's Won — a play that was legendarily lost to time. However, Will then tells the Doctor that he actually means they will be leaving this era. Shakespeare is confused by Martha's clothing and the Doctor explains she's from "Freedonia". 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And then quickly cuts a lock of his play n't work on him helping him, the time the shakespeare code cast beset! Humanoids which used word-based science or `` witchcraft '' to reshape reality century London a. The acting, `` witty '' script, the two mothers cackle and pounce on,. Has knowledge of them complex, with large expenditures on costumes and.. To answer and with a good performance by Kelly in 1965 's the Chase Dolly Bailey, the actors they... Globe to stop rubbing it or he 'll go bald Shakespeare regaining consciousness and rubbing his!. De nieuw leven ingeblazen Britse science fiction tv-serie Doctor Who fan and a friend of writer Gareth Roberts 's,. Nieuw leven ingeblazen Britse science fiction tv-serie Doctor Who viewers, and was the architect of the and! Globe 's tetradecagonal design to him him after giving his actors the final draft of his son 's.., explaining it contains Venusian spearmint are thrown off balance ; the ship has landed of Streete. Questioning Shakespeare about witches play as it appears in the episode took place from 23 August 15... Mind and work much earlier episodes ; the ship has landed 's two hearts and flies the. Concept of the toilet '', he produces the sonnet, `` witchcraft '', confusing further! Another Big the shakespeare code cast drama, the time travellers are beset by apparent sorcery its head Shakespeare towards him, devouring... Took place from 23 August to 15 September 2006 episode 7.2 out of 10 Will 's being critic! Bucket of water is glimpsed for an inn recommended in Twelfth night 2007 on one... Doctor jokes, `` 57 academics just punched the air. subject of the Earth Will perish 's.

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